February 2010

  • The Hiltonaires: Ska x Mento

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    The confluence of sounds that wound up making Jamaica one of the most unique musical destinations in the world began a long time ago. It was actually probably around 1492 or whenever that Italian guy made it to the Caribbean, even if he thought it was just India.

    Regardless of the dullards that claimed to discover land that people already lived on, the resulting cultural incursion yielded some unique results. At the moment when previously cloistered societies get an injection from elsewhere, there’s bound to be some sort of change that runs through a place. Jamaica may not be a sprawling nation, but it did possess its own history. With the coming years of slavery, sugar cane and subservience, a new music emerged.

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  • Capleton removed from Oakland Event for Homophobia

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    Capleton: alleged homophobe.Capleton: alleged homophobe.Dancehall star Capleton has been removed from a huge Bay Area reggae show due to his homophobic lyrics, according to one source. Capleton was scheduled to perform at the Ragga Muffins Festival in Oakland on Saturday with other Reggae stars, including Cocoa Tea, Barrington Levy andGregory Isaacs, all legends in the reggae industry.

     Capleton had been "removed from the Festival(s) and will not be performing in Oakland next Saturday. He was also removed from our Long Beach and San Diego events..." said event promoter Moss Jacobs, according to the Bay Area Reporter.

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  • A Minute with the Aggrolites' Roger Rivas (Pt. 2)

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    RMT: Since you’ve dug out such a specific niche to work in, how does playing at larger festivals like Warped Tour or Riot Fest work out for the band?

    RR: Going into those kinds of festivals, we already know that we’re going to play the ska show and we’re going to get the support of that crowd. With Warped Tour and people wearing the Kanye West glasses, we’re still going against the grain and it’s great. There’s just this audience staring at you and it’s hard to really get into playing when they’re just kinda mannequins out there. Those are the shows, though, when you win people over.

     

    RMT: Did touring with larger festivals like that account for the few years between the band’s first and second album?

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  • A Minute with the Aggrolites' Roger Rivas (Pt. 1)

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    During the Aggrolites’ last tour Reggae Music Talk had the chance to speak with the band’s keyboardist, Roger Rivas. The L.A. native gets into reggae’s recorded past and why the ensemble produces its own work.

    Reggae Music Talk: In other interviews, you guys have said that you’re not a ska band, but the punk rock version. Usually there’s mention of Lee Perry. What about Lloyd Charmers and some of the lesser known early reggae singers and producers?

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  • Eric Donaldson: Cherry, Oh Baby

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    It’s got to be relatively frustrating to score a singular hit and subsequently not really be known for too much else.

    A shockingly slim portion of the public knows who Devo is. But damn near everyone is familiar with “Whip It.” That track was released pretty close to thirty years ago at this point with the band continuing on for another clutch of albums before heading off into different directions. Member’s longstanding work in various art related avenues notwithstanding, they’ll probably always be the “Whip It” band. That’s how it goes.

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  • Joe Gibbs x Eroll Thompson

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    Folks that would wind up producing some of  the legitimately classic slabs of reggae and dub during JA music’s golden age at one time or another worked as electricians or as engineers. From the knob twittering and soldering together of wires and more wires apparently came some sort of insight into how to work out good music. Occasionally these electrically inclined folks weren’t granted enough renown – Errol Thompson, for instance, is better known for his middling singing than the production work that he put in along side Joe Gibbs.

    But regardless of whose known for what, the tandem of Gibbs and Thompson were able to craft some of the deepest and most sensible – in contrast to the work of Lee Perry and the Scientist – dubs to be recorded during the latter portion of the ‘70s.

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  • TWOFER: Mike Brooks x the Slackers

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    Here go two completely unrelated album reviews from a different decade. While Mike Brooks should be enshrined in some reggae music hall of fame, the Slackers’ Peculiar might actually represent a low point for the New Yawk, NewYawk band.

    Mike Brooks
    The Earth is the Fullness
    (Moll Selekta, 2004)


    Jamaican music is a very mysterious thing. The give and take between American and Jamaican culture has gone under-appreciated for quite some time now. Originally, at the time of the island’s independence, ska was born from a stew of Motown and jazz. Since that time the evolution of that music has really changed the face of the world. Firstly, regardless of what any scholar says, rap comes from Jamaica. Nowhere on earth was anyone chanting overtop of a record before the deejays from the Jamdown. And perhaps even more importantly, the island gave fame to Bob Marley, who you should consider the most famous musician in the world (Elvis who?). While Marley is the most easily recognizable, a producer that he worked with, Lee Perry, produced innumerable tracks from his Black Ark studio. Some of the earliest efforts appear here. Mike Brooks, falsetto and all, runs through twelve tracks of Jah praising material. While the lyrics are bound to seem repetitive, at least they have some purpose. One standout, “Money,” boasts the line, “Money buy material things/But good friend is better than pocket money.” True. Amusing and scientifically inaccurate “Good Herb” borrows from Peter Tosh in an ode to the collie weed. But regardless of the lyrical shortcomings, each track on this slab serves up solid rhythms courtesy of Harry J, Lee Perry, Prince Far I and a few others. Foundling label Moll-Selekta gives the world another worthwhile slab of roots. So far, they each of the imprint’s releases are gold.

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